Ghost Stories (2019)

Score: /10

Length: 144

Rating: Mature (Netflix)

Language: English

Categories: 2000s, Hindi, Bollywood, anthology, murderer, monster, ghost

There are a lot of films with this name, so don’t get confused- this is the Bollywood horror anthology film on Netflix. The same directors who worked on Lust Stories share four creepy tales. A few things you need to keep in mind- Bollywood is known for elaborate action films and romances with loads of singing and dancing. It’s not known for its horror films and rightfully so- they don’t compare to the actual horrors we see in most North American, European, and Asian films, they’re more like spooky bed time stories. So take that horror genre categorizing with a huge grain of salt. And maybe some cilantro.

The segments don’t have titles so I’m just going to make them up and review them separately.

The Old Lady – A young woman is a caretaker for an elderly, bed-ridden lady. Strange things happen in the house at night, and eventually, the nurse happens upon a horrible secret which she smelled from the start.

Egg Envy – An almost black and white story about an expecting mother, a jealous child, and feathery fears of a miscarriage.

Monster Meal – I suppose a zombie movie, but more with monsters. Most of the humans are still turning, however, our main monster looks a lot like Harry the sasquatch from Harry and the Hendersons.  Funny enough, this is probably the scariest segment, due to some of the frightening acting by the affected-humans. A man visits a small town and finds two children to be the sole survivors of some sort of mutation that turns humans into apelike creatures with bad eyesight who eat humans.

Granny’s Blessing – The final film is strange and not scary, but definitely quirky. An attractive couple plan an arranged marriage, but the wife-to-be has second thoughts after learning that her fiance is obsessed with his dead grandmother.

The Perfection (2018)

Score: 3.5/10

Length: 90

Rating: Mature (Netflix)

Language: English

Categories: 2000s, Netflix, murderer, recent, girly

The first half of theis movie is actually pretty decent. Guessable, because it’s pretty much Black Swan with cello instead of ballet, but still enticing. There are two points in the film in which there’s a rewind of events. Each time this happens, the film gets worse. A lot worse.

We start with the typical waspy white girl (a character Allison Williams has down pat by now) and your typical sweet, bi-racial competition. Both girls meet in Shanghai, where their former musical academy is auditioning for new students. The former-students make fast friends and plan an excursion together which goes horribly wrong when one of the girls gets sick. The Netflix movie can be split into three parts, separated by the rewinding of events: The first part is full of gag-worthy body grossness, including vomit, diarrhea, maggots, and amputation, so I’d highly recommend you don’t start this movie with a meal. Unless it’s meal worms and you’re trying to go for a theme. The second chunk is all of our twist reveals and the action-section. It’s watchable, but you can feel the film start to slide downhill. Part three is just horrible, stupid, and ultimately laughable. I actually guffawed at the end, and that’s a rare occurrence for me unless Larry David is present. I assume they were trying to finish with the same thrills the film started with and just went way too far. We get it, it’s rape-revenge, you want something bad to happen to the perpetrators, but throwing in at the very last moment that’s so incredibly ridiculous, does not satisfy anyone. If the movie cut after the second scene with the girl running, it might have won itself a few more points.

 

Us (2019)

Score: 4.5/10

Length: 116

Rating: R

Language: English

Categories: 2000s, recent, murderer, underground

I watched this on a plane returning from Israel along with every horror movie the plane offered, and sadly, this was the worst one. At the start I thought, wouldn’t it be funny if (this) was the twist? And then it was. Womp Womp.

Obviously high expectations are set for this movie- Jordan Peele’s follow-up after the success of Get Out and staring loved-by-all, Lupita Nyong’o. Lupita does a fantastic job as both versions of her character, from the creepy voice to the scared mother, and this is clearly where the film shines. Unfortunately, the story, although unique, is not thought-provoking, scary, or even an interesting tale. The reveals at the end are incredibly unsatisfying and ruin anything the film has achieved thus far. It’s not an awful movie… I wasn’t bored, cringing, or rolling my eyes, but it’s not anything I’d recommend or ever watch again.

It’s about a family who goes on a vacation, and stops at a familiar beach where a traumatic childhood event happened to the mother. Later in the evening, strangers stalk and taunt the family, but even stranger still, the aggressors look just like them. The story revolves around the family we see, and “the tethered” which we learn about later. A big issue with the film seems to be the confusion and lack of story-telling around “the tethered”. Lots of potential, lots of let-down. Too many bad decisions, too many plot holes. Let’s hope this doesn’t happen to Candyman, as the story is already there.