Top Ten Most Memorable Horror Movie Masks

I’d first off like to apologize for my absence. I’ve been working on a few Top Tens, and even though I saw a crapload of horror movies in October, I went on a sunny vacation right after and forgot most of them. So now, I present to you, an interesting theme: masks! Masks are the ultimate murdering accessory. Although makeup is more in than attachable face plastic, there are lots of awesome famous horror movie masks out there.

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I’d like to start off with an honorable mention that couldn’t be included in this list because it’s a tv show: Goosebumps, The Haunted Mask. This was most likely one of the first ever spooky masks that I encountered, in the book and then on tv. The mask that doesn’t come off has definitely been done before, but that doesn’t make the it any less awesome. I plan to add this detailed, green monster to my costume collection someday.

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10. Alice, Sweet Alice;s Plastic Make-up Mask (1976)

Although this movie isn’t super well-known, this type of see-through, second skin is still in every store selling Halloween costumes today. The plastic, makeupped adult face supposedly worn over a child’s innocent face makes it even creepier, as worn with a yellow rain jacket in the film. There is also a similar, updated version in V/H/S.

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9. Halloween III: Season of the Witch’s Silver Shamrock Masks (1982)

The Jack-o-lantern, witch, and skeleton masks intended to melt children’s faces appear only in this installment of Halloween that has nothing at all to do with Michael Myers. Although entertaining, the whole Stonehenge thing and evil mask-manufacturer situation doesn’t really make a lot of sense.

      

8. Terror Train’s Groucho Marx Mask (1980)

On New Year’s Eve, a murderer kills college kids on a train. He wears several different masks on the train that he swaps with his victims, but they don’t quite have the off-putting creepiness that the Groucho seems to have.

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7. Trick ‘R Treat’s Burlap Sack (2007)

This film is technically an anthology, but I find that it’s really only remembered for the character, Sam. It’s kind of cute, kind of creepy, and definitely silly-scary underneath.

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6. Phantom of the Opera (1925)

The phantom changes over time, but the mask doesn’t really. The first film is included in this list because it’s the only one that is actually a horror film besides the virtually unknown 1989 version with Robert Englund. It’s white, it’s simple, and it’s close enough to the iconic half-mask in the musical versions.

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5. The Strangers’ The Man in The Mask, Pin-Up Girl, and Dollface Masks (2008)

This is one of my favorite movies, as I’m terrified of stalkers and this had great tension and character story. Each of the torturers wears a mask, but the face has nothing to really do with anything besides their gender. They’re all equally scary in that they don’t have any rhyme or reason to them, and the faces behind them are never revealed.

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4. The Texas Chainsaw Massacre’s Skin Mask (1974, 2003, and sequels)

Leatherface is inspired by Ed Gein who was obsessed with making things out of human body parts such as bones and skin. Throw in a chainsaw and some off-beat, grotesque characters and you’ve got yourself a gore fest phenomenon. Whether it be the original or the remake, both have the iconic stitches and skin mask. I wonder how Leatherface would feel about a peel at the spa.

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3. Scream’s Ghostface Mask (1996 and sequels)

If you asked people to blurt out the first Halloween mask that comes to mind, I bet Ghostface would be at the top of the list. Inspired by Edvard Munch’s The Scream painting, this franchise and its unforgettable mask made a huge dent in film history.  The return to the slasher was immensely popular, and ever since the film’s release, the Ghostface mask has been on shelves. Even though the movie has some nineties cheese, the twist is all that matters.

2. Halloween’s Michael Myers (William Shatner) Mask (1978 and sequels)

Let’s be real here, this is a bad mask. Even when you see it sold in stores the hair’s all matted and the skin is lumpy. But it serves its purpose in the movie, because the expressionless face easily gives you the creeps. Halloween is just another slasher movie with no real backstory, but it’s a fun, mindless film to watch, and there are lots of sequels to binge-watch on my favorite holiday.

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1. Friday the 13th Part 3’s Hockey Mask (1982 and sequels)

Jason Voorhees sure is a man of the times. His mask style changes in each movie, and although for the most part, he sporting a generic hockey mask, he also tries on a sack and a metal, alienlike option. Jason is supposed to be a deformed psychopath, so I suppose any old mask will do. The great thing about the Friday the 13th films are that there is a little bit of comedy, a few scares, and countless ways to kill featured. Jason has a decent backstory, and the original film’s twist makes up for the fact that the mask doesn’t appear.

 

 

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ABC’s of Death 2.5 (2016)

Score: 5.5/10

Length: 85

Rating: NR

Language: English

Categories: 2000s, recent, anthology, murderer, alien, monster, zombie, devil, vampire,  horror comedy, holiday, gore porn

Another film of shorts! This one, brought to you by the letter ‘M’. Because I guess they had a lot of ‘M’ entries. I love anthologies because there is always something for everyone but I really could have done without the scratchy title music. For this review, I’ve decided to give each segment a grade and just a quickie synopsis of a few words.

Magnetic Tape – Silly, gory, nerd fun. (B)

Maieusiophobia – Terrifying waxmation birth. (A)

Mailbox – Skippable vampire trick-or-treat. (C)

Make Believe – Mediocre murder and kid fairies. (c)

Malnutrition – A well-done zombie segment. (A)

Manure – A memorable, May-like poop monster. (A)

Marauder – A hipstertastic black and white tricycle race. (B)

Mariachi – Murders in a death metal music video. (C)

Marriage – A creative and captivating therapy session with a surprise ending. (A)

Martyr – A cult ritual that I could have sacrificed. (C)

Matador – A sick and twisted gorefest of intensity. (A)

Meat – A dark meatmation segment that is unique and thought-provoking. (A)

Mermaid – A stupid mermaid meal. (C)

Merry Christmas – Krampus feels bad for himself with a prisoner who has a face for acting. (C)

Mess – Oh God, why. You deserve to know now that ‘the mess’ is water poop coming from a belly button. (C for can’t. I can’t.)

Messiah – A woman is captured by masked forest-people. (A)

Mind Meld – A clever, gory experiment. (A)

Miracle – Well, it’s about box… it was too short and quick for me to comprehend anything else. (B)

Mobile – A man gets torture text instructions with a twist. (A)

Mom – A light zombie-kid romance. (B)

Moonstruck – An unexpected paper cartoon about romance, betrayal, revenge, and death. (A)

Mormon Missionaries – An encounter with two missionaries takes a turn for the worst. And then it gets worse. (A)

Mother – A giant CGI spider. (C)

Muff – A hilarious hotel sex encounter goes fatally wrong. (B)

Munging – Gross and awful topic, but the corpse’s make-up was great. (B)

Mutant – Eager losers shoot at flying mutants that break out of people’s faces. It was good until the the first bat was revealed, and then it got really bad. (C)

 

XX (2017)

Score: 4/10*

Length: 80

Rating: R

Language: English

Categories: 2000s, recent, monster, murderer, toys, anthology, holiday

This anthology is all female directors and lead actors (but not writers), so the disappointment with the film hit harder than usual. One of the stories is even written by the musician, St. Vincent who is a gifted visionary.  The film has four stories that aren’t related to each other at all, and none of them are original, memorable, creative, or provide any indication that this movie is focused on women. The only thing I can picture myself remembering when thinking of this film later is the strange, doll-head stop motion in between the segments. Also, I get why the film is called “XX“, but considering there’s a band already with the same name, they really could have tried a little harder. This whole film feels like a real lack of effort on everyone’s part.

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The Box

In one line: Cannibals at Christmas.

Good: I liked the mystery around what was in the box and this was probably the best story out of the four. It had clear direction to it.

Bad: The script was pretty cheesy, and there were parts that didn’t exactly make a lot of sense to me.

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The Birthday Party

In one line: Dead dad ruins birthday party.

Good: The struggles of a mom trying to make everything okay for her child’s birthday is relatable. The costumes are also hilarious, and I appreciated the quirky vibe.

Bad: It’s really just an episode of a woman dragging around a man’s dead body and that can get pretty dull.

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Don’t Fall

In one line: Monsters in the desert.

Good: The monster was fairly well done. Good makeup as opposed to CGI.

Bad: It was a pretty overdone story idea with nothing special added to it.

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Her Only Living Son

In one line: Teenager turns into violent werewolf-monster of sorts.

Good: Again, the mom’s struggles were relatable.

Bad: There wasn’t really an ending, and the son making the mom crawl towards him on her knees was pretty cringe-worthy.

 

* I’m giving this an overall score, as none of the shorts were anything special, and none were better or worse than any other, which is pretty rare. All in all, the meh movie is getting a meh overall score.

The Void (2016)

Score: 5/10

Length: 99

Rating: NR (R)

Language: English

Categories: 2000s, recent, monster, zombie, murderer, supernatural

IIIIIII don’t know about this Canadian movie. One friend hated it, one friend liked it. I fall right in the middle. On the one hand, I liked the cult members standing outside staring, not moving and the quick scene with the monster-zombies in the basement. On the other hand, I’m really over the cop, the pregnant lady, and a mishmash of unlikable others being trapped in the hospital. The third idea with the eighties alien-monsters was kind of fun, but it didn’t quite feel like it fit in. I also liked the first half a lot better than the second, and was pretty disappointed with the ending. I even went back to see if I missed something, because it took me three tries to finish this as I kept falling asleep. After all this, I’m left giving it an “inbetween” score because it’s just so equally good and bad. Made me want to watch Society again.

The Neighbor (2016)

Score: 5.5/10

Length: 87

Rating: NR (But clearly R)

Language: English

Categories: 2000s, recent, murderer, underground

As a Canadian, it pains me to put no ‘u’ in the title, but I suppose it’s an American movie and the paper mache mask on the cover makes up for it. It felt very familiar early on, like I had seen at least some of it before. Probably before passing out and then forgetting about it. This action-thriller film is about  an errand-man whose wife is kidnapped by their neighbour before they plan to split with a bag of cash. Josh Stewart does a great job of looking like Sean Penn’s druggy brother, but the acting from everyone is pretty decent.  I appreciate that the women weren’t just victims, they fought hard. It feels like The Collector series, but lacks some of the originality. Most of the gore seemed to be dead animals which definitely could’ve been skipped, but there were a splatter of blood and guts scenes throughout.  It had artistic spots, but it just wasn’t anything special or creative. Not a bad movie at all, but also not a memorable title or story. I could definitely see myself accidentally watching some of it again.

Raw (2016)

Score: 6/10*

Length: 99

Rating: R

Language: French

Other title: Grave

Categories: 2000s, recent, murderer, gore porn

This French film was a “must see” at the festivals. It’s akin to Teeth or Ginger Snaps in that it’s fresh, mildly original, and centred around a beautiful, flesh-biting teenager. However, as in most French movies I have seen, the gore is thick, and the blood is bright. Raw is about a vegetarian college student who is forced to eat rabbit during a hazing ritual, and as a result, gains an irresistible urge to devour humans. She lets her douchey sister who is attending the same veterinary school be cruel to her again and again as she parties with the crowds of other students. I guess maybe when you’re the younger sister you are very forgiving as you just want attention from your older, cooler, sibling, but it was frustrating to watch, nonetheless. There are a few really gory scenes, but the most cringeworthy was the finger-sucking. My biggest wish is that the film leaned more to one side- a dark comedy or a thrilling horror. Because of this, I felt it lacked a bit of… bite. Although the ending was nicely-wrapped, it was guessable and geared towards a non-horror crowd.

*Friend Score: 6.5/10

The Bunnyman Massacre (2014)

Score: 2/10

Length: 90 mins

Rating: R

Language: English

Categories: recent, murderer, animal, gore porn, slasher, woods, Painful Movie Mondays

This shit starts off hard, with someone in a white bunny costume chainsaw-slicing a school bus full of kids. I figured it was going to be a little more cornier and to be frank, I expected the quality to be worse. There’s some sex- check. Some blood- also, check. And of course, they have’t forgotten the big, fake boobs on a gal who lasts about thirty seconds. In a lesser-used perspective, the movie is focussed more around the killer and his story then the victims. Although you don’t really get the chance to root for any of the victims, you don’t exactly tend to side with the killer either, since we don’t get to see what he looks like until…  I mean, it’s not as wonderful as I’m making it out to be. People are quickly and randomly slaughtered throughout the movie, and it gets old fast. It’s like a an episode of Game of Thrones, except everyone dies in the only episode. Nothing special and not very memorable, but something to watch around Easter. Maybe while eating rabbit, if you’re into that sort of thing. I didn’t actually realize that this was a sequel until later, but I’m not rushing to see the original Bunnyman. Perhaps next year.

 

 

Masters of Horror: Pelts

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Dario Argento (Suspiria, Opera, Inferno)

Evil Category: the cursed revenge of the trash pandas

Score: one out of five dry-cleaning bills

I put off watching this episode for quite some time just based off the title, and rightfully so. It’s about a big, greasy man who is in the fur business. He’s in love with a stripper who he tries to rape, and when he comes across some fine pelts, it allows him to present a (ridiculous) business proposition to her. He’s going to make her a fancy fur coat so she can wear it and be a fashion model. Seriously?! Don’t worry, the raccoons get their revenge, of course, on the coat wearers. I didn’t realize raccoon fur was so coveted and rare… Not even the gory baseball bat to the face and the headfirst plunge into a trap could save this episode’s stupidity. It’s so not something I needed to watch, and I read a book while watching most of it anyway. Point is only for gore.

Masters of Horror: Imprint

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Takashi Miike (Audition, Ichi the Killer)

Evil Category: black-smear-toothed, red-headed whores

Score: five out of five skin-sweeping scars

In regular Takashi Miike form, this episode is strange and intense. Considering the rest of the season is at times a little dull and watered-down, this was a fun finish to season one. I saved this movie for a night with sushi, and I’m going to have to have another sushi night because I want to watch it again. There was just so much going on I don’t think I was able to absorb it all. It’s about this guy (he’s in Charmed, acting as badly as he does in this episode) who is looking for his lost lover. Instead, he learns of her torturous death through the stories of a woman with distorted features. This gnarly, complex episode features everything from a weird little pimp with a nose scab to a conjoined hand twin. (What?!) At the same time, the colours are rich, the costumes are intricate, and it’s beautifully filmed. I didn’t love everything about it, but for sure, the best episode so far.

Masters of Horror: Right to Die

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Rob Schmidt (Wrong Turn, The Alphabet Killer)

Evil Category: a burnt, revenge-seeking wife

Score: four out of five mistress body parts lost

I decided to watch this episode after reading an article about a girl in Europe who had assisted suicide after years of sexual abuse. It’s an interesting topic with good points on both sides of the debate. I actually really enjoyed this episode, and although at times it seemed like a TV drama series, there was a lot of gory horror mixed in. I would not recommend watching this while eating, as there are several bloody, slimy wife and cringe-worthy skinning scenes. The director has only worked on a handful of movies, but funny enough, I liked this episode more than most. It feels like a real movie; like has more story than should be condensed into an hour. The ending can be taken a few different ways, and I prefer the more grim option. It’s about a husband and wife who end up in a horrible car accident during a fight. The husband comes out okay, but the wife is horribly burnt and disfigured and doesn’t have long to live. He goes back and forth between the decision to let her die (and inherent a large amount of her family’s money) or let her live. Unfortunately, the decision is made a little too late, but the journey revealed in layers is exciting, interesting, and new. I feel like it could easily be remade into a full movie with even better effects and music.

 

photo: http://www.grimmovies.com/