Top Ten Most Memorable Horror Movie Masks

I’d first off like to apologize for my absence. I’ve been working on a few Top Tens, and even though I saw a crapload of horror movies in October, I went on a sunny vacation right after and forgot most of them. So now, I present to you, an interesting theme: masks! Masks are the ultimate murdering accessory. Although makeup is more in than attachable face plastic, there are lots of awesome famous horror movie masks out there.

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I’d like to start off with an honorable mention that couldn’t be included in this list because it’s a tv show: Goosebumps, The Haunted Mask. This was most likely one of the first ever spooky masks that I encountered, in the book and then on tv. The mask that doesn’t come off has definitely been done before, but that doesn’t make the it any less awesome. I plan to add this detailed, green monster to my costume collection someday.

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10. Alice, Sweet Alice;s Plastic Make-up Mask (1976)

Although this movie isn’t super well-known, this type of see-through, second skin is still in every store selling Halloween costumes today. The plastic, makeupped adult face supposedly worn over a child’s innocent face makes it even creepier, as worn with a yellow rain jacket in the film. There is also a similar, updated version in V/H/S.

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9. Halloween III: Season of the Witch’s Silver Shamrock Masks (1982)

The Jack-o-lantern, witch, and skeleton masks intended to melt children’s faces appear only in this installment of Halloween that has nothing at all to do with Michael Myers. Although entertaining, the whole Stonehenge thing and evil mask-manufacturer situation doesn’t really make a lot of sense.

      

8. Terror Train’s Groucho Marx Mask (1980)

On New Year’s Eve, a murderer kills college kids on a train. He wears several different masks on the train that he swaps with his victims, but they don’t quite have the off-putting creepiness that the Groucho seems to have.

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7. Trick ‘R Treat’s Burlap Sack (2007)

This film is technically an anthology, but I find that it’s really only remembered for the character, Sam. It’s kind of cute, kind of creepy, and definitely silly-scary underneath.

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6. Phantom of the Opera (1925)

The phantom changes over time, but the mask doesn’t really. The first film is included in this list because it’s the only one that is actually a horror film besides the virtually unknown 1989 version with Robert Englund. It’s white, it’s simple, and it’s close enough to the iconic half-mask in the musical versions.

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5. The Strangers’ The Man in The Mask, Pin-Up Girl, and Dollface Masks (2008)

This is one of my favorite movies, as I’m terrified of stalkers and this had great tension and character story. Each of the torturers wears a mask, but the face has nothing to really do with anything besides their gender. They’re all equally scary in that they don’t have any rhyme or reason to them, and the faces behind them are never revealed.

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4. The Texas Chainsaw Massacre’s Skin Mask (1974, 2003, and sequels)

Leatherface is inspired by Ed Gein who was obsessed with making things out of human body parts such as bones and skin. Throw in a chainsaw and some off-beat, grotesque characters and you’ve got yourself a gore fest phenomenon. Whether it be the original or the remake, both have the iconic stitches and skin mask. I wonder how Leatherface would feel about a peel at the spa.

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3. Scream’s Ghostface Mask (1996 and sequels)

If you asked people to blurt out the first Halloween mask that comes to mind, I bet Ghostface would be at the top of the list. Inspired by Edvard Munch’s The Scream painting, this franchise and its unforgettable mask made a huge dent in film history.  The return to the slasher was immensely popular, and ever since the film’s release, the Ghostface mask has been on shelves. Even though the movie has some nineties cheese, the twist is all that matters.

2. Halloween’s Michael Myers (William Shatner) Mask (1978 and sequels)

Let’s be real here, this is a bad mask. Even when you see it sold in stores the hair’s all matted and the skin is lumpy. But it serves its purpose in the movie, because the expressionless face easily gives you the creeps. Halloween is just another slasher movie with no real backstory, but it’s a fun, mindless film to watch, and there are lots of sequels to binge-watch on my favorite holiday.

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1. Friday the 13th Part 3’s Hockey Mask (1982 and sequels)

Jason Voorhees sure is a man of the times. His mask style changes in each movie, and although for the most part, he sporting a generic hockey mask, he also tries on a sack and a metal, alienlike option. Jason is supposed to be a deformed psychopath, so I suppose any old mask will do. The great thing about the Friday the 13th films are that there is a little bit of comedy, a few scares, and countless ways to kill featured. Jason has a decent backstory, and the original film’s twist makes up for the fact that the mask doesn’t appear.

 

 

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ABC’s of Death 2.5 (2016)

Score: 5.5/10

Length: 85

Rating: NR

Language: English

Categories: 2000s, recent, anthology, murderer, alien, monster, zombie, devil, vampire,  horror comedy, holiday, gore porn

Another film of shorts! This one, brought to you by the letter ‘M’. Because I guess they had a lot of ‘M’ entries. I love anthologies because there is always something for everyone but I really could have done without the scratchy title music. For this review, I’ve decided to give each segment a grade and just a quickie synopsis of a few words.

Magnetic Tape – Silly, gory, nerd fun. (B)

Maieusiophobia – Terrifying waxmation birth. (A)

Mailbox – Skippable vampire trick-or-treat. (C)

Make Believe – Mediocre murder and kid fairies. (c)

Malnutrition – A well-done zombie segment. (A)

Manure – A memorable, May-like poop monster. (A)

Marauder – A hipstertastic black and white tricycle race. (B)

Mariachi – Murders in a death metal music video. (C)

Marriage – A creative and captivating therapy session with a surprise ending. (A)

Martyr – A cult ritual that I could have sacrificed. (C)

Matador – A sick and twisted gorefest of intensity. (A)

Meat – A dark meatmation segment that is unique and thought-provoking. (A)

Mermaid – A stupid mermaid meal. (C)

Merry Christmas – Krampus feels bad for himself with a prisoner who has a face for acting. (C)

Mess – Oh God, why. You deserve to know now that ‘the mess’ is water poop coming from a belly button. (C for can’t. I can’t.)

Messiah – A woman is captured by masked forest-people. (A)

Mind Meld – A clever, gory experiment. (A)

Miracle – Well, it’s about box… it was too short and quick for me to comprehend anything else. (B)

Mobile – A man gets torture text instructions with a twist. (A)

Mom – A light zombie-kid romance. (B)

Moonstruck – An unexpected paper cartoon about romance, betrayal, revenge, and death. (A)

Mormon Missionaries – An encounter with two missionaries takes a turn for the worst. And then it gets worse. (A)

Mother – A giant CGI spider. (C)

Muff – A hilarious hotel sex encounter goes fatally wrong. (B)

Munging – Gross and awful topic, but the corpse’s make-up was great. (B)

Mutant – Eager losers shoot at flying mutants that break out of people’s faces. It was good until the the first bat was revealed, and then it got really bad. (C)

 

XX (2017)

Score: 4/10*

Length: 80

Rating: R

Language: English

Categories: 2000s, recent, monster, murderer, toys, anthology, holiday

This anthology is all female directors and lead actors (but not writers), so the disappointment with the film hit harder than usual. One of the stories is even written by the musician, St. Vincent who is a gifted visionary.  The film has four stories that aren’t related to each other at all, and none of them are original, memorable, creative, or provide any indication that this movie is focused on women. The only thing I can picture myself remembering when thinking of this film later is the strange, doll-head stop motion in between the segments. Also, I get why the film is called “XX“, but considering there’s a band already with the same name, they really could have tried a little harder. This whole film feels like a real lack of effort on everyone’s part.

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The Box

In one line: Cannibals at Christmas.

Good: I liked the mystery around what was in the box and this was probably the best story out of the four. It had clear direction to it.

Bad: The script was pretty cheesy, and there were parts that didn’t exactly make a lot of sense to me.

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The Birthday Party

In one line: Dead dad ruins birthday party.

Good: The struggles of a mom trying to make everything okay for her child’s birthday is relatable. The costumes are also hilarious, and I appreciated the quirky vibe.

Bad: It’s really just an episode of a woman dragging around a man’s dead body and that can get pretty dull.

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Don’t Fall

In one line: Monsters in the desert.

Good: The monster was fairly well done. Good makeup as opposed to CGI.

Bad: It was a pretty overdone story idea with nothing special added to it.

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Her Only Living Son

In one line: Teenager turns into violent werewolf-monster of sorts.

Good: Again, the mom’s struggles were relatable.

Bad: There wasn’t really an ending, and the son making the mom crawl towards him on her knees was pretty cringe-worthy.

 

* I’m giving this an overall score, as none of the shorts were anything special, and none were better or worse than any other, which is pretty rare. All in all, the meh movie is getting a meh overall score.

The Belko Experiment (2016)

Score: 4.5/10

Length: 90

Rating: R

Language: English

Categories: 2000s, recent, murderer, psychological, strangers in a small room

It’s like if The Office went on lockdown. A corporate company shuts down the building and asks the employees (aka participants) to kill each other in timed intervals. Strangers in a small space, kill or be killed. There are a whole slew of characters, the good little guys and the bad CEO guys. Some are fairly well fleshed-out and others are simple and forgettable. There were some fun deaths with a tape holder, but I really would have appreciated the campiness of more people being murdered with office supplies instead of guns. I think overall, it needed to decide if it was going to be true horror or on the side of comedy. Although a thriller, at times it felt like a drama. This would be a great film for the TV show, Community to do an episode of. If you’ve seen any other movies about strangers in small spaces, you’ll know it isn’t overly original. And that’s surprising considering how many big names are involved in directing and producing.

Masters of Horror: The Washingtonians

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Peter Medak (The Changeling, Species II)

Evil Category: old white people with bad teeth

Score: one out of five really bad childhood car songs

The summary for this sounds really neat. But let me share with you this line from the opening family scene: “Oh my. Look at the mess that you’re making. When did my princes turn into such a little slob, huh? Just like her daddy!” You never realize how difficult acting is until you see really bad acting. The idea that if you found a scroll you thought was written by George Washington, and you didn’t immediately take it to an appraiser is absurd. This episode is about a family who moves into their grandparent’s house, and discovers the friend old folk in the town are bunch of cannibals who like to dress up and act like George Washington. This episode really proves that this is just Goosebumps for adults.

The Void (2016)

Score: 5/10

Length: 99

Rating: NR (R)

Language: English

Categories: 2000s, recent, monster, zombie, murderer, supernatural

IIIIIII don’t know about this Canadian movie. One friend hated it, one friend liked it. I fall right in the middle. On the one hand, I liked the cult members standing outside staring, not moving and the quick scene with the monster-zombies in the basement. On the other hand, I’m really over the cop, the pregnant lady, and a mishmash of unlikable others being trapped in the hospital. The third idea with the eighties alien-monsters was kind of fun, but it didn’t quite feel like it fit in. I also liked the first half a lot better than the second, and was pretty disappointed with the ending. I even went back to see if I missed something, because it took me three tries to finish this as I kept falling asleep. After all this, I’m left giving it an “inbetween” score because it’s just so equally good and bad. Made me want to watch Society again.

Annabelle: Creation

Score: 7/10*

Length: 109

Rating: R

Language: English

Categories: 2000s, recent, murderer, toys, prequel, devil, ghost

Waaaaaaaaaaaaay better than the first one. Probably to do with the director, David F. Sandberg, who also did Lights Out. There are a few upcoming directors I’m following, and this guy might add himself to my list. The screenplay is by Gary Dauberman (Annabelle and the upcoming It and The Nun) and of course, it’s produced by James Wan. I don’t usually discuss the people behind the movie, but this is a real winning combination of horror minds. Lulu Wilson also stood out to me- I remembered her from Ouija: Origin of Evil, and Deliver Us from Evil. I hope she continues with the horror genre. So this one stuck with the demon/ ghost girl/ doll theme pretty well, although three things is already pushing it for me. I don’t particularly find dolls scary, so I’m glad the demon was involved. I feel more and more the importance of a movie’s consistency and main focus not muddied by other entities and useless storylines, so this was mildly refreshing. I was glad that the film focussed on the scares and darkness instead of lame CGI and a billion different monsters like some lazy movies…*cough*… Insidious. There were a few scenes and effects I could have done without, but overall, it was pretty solid. The acting was decent, and this film really knew how to drag out the tension. There were even a few cute touches thrown in, such as the original Raggedy Ann doll and the nun from The Conjuring, lurking in a photo. I could have done with more of a backstory to the girl and the doll and I’m still waiting to learn more about the demon. After seeing the first Annabelle, disappointment of the second installment was inevitable, however, I was quite impressed, which was most likely due to my low expectations.

*Friend score average: 6.2

Masters of Horror: The Black Cat

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Stuart Gordon (Re-animator, From Beyond, Dolls)

Evil Category: an aggrevated, alcoholic author

Score: one out of five broken, black ink pens

You’d think this would be about a cat who witnesses something horrible, or a bunch of stories that merge together with the cat appearing in each one, or even just a killer-cat. But no, it’s about Edgar Allen Poe going insane and attacking a cat for little reason. He wants to write poe-try, and his wife is coughing up blood all over the place. The story isn’t too bad, but man, the acting is so painful. I’d be just as well off watching an episode of Days of our Lives. The constant coughing alone is enough to drive anyone to madness, but the cruelty to animals does not in the least get me routing for Poe. That bird clearly just had a smear of ketchup on it and the cat eyeball scene… Jesus. I skipped a lot of it, and I was glad it was finally done watching it in the end. I would have rather watched Secret Window.

Satanic (2016)

Score: 4/10*

Length: 85

Rating: R

Language: English

Categories: 2000s, recent, devil, supernatural, murderer

I’m going to start off real here. The only reason I’m watching this movie is because I hear they stay in a hotel room where a girl slits her throat, and her name is Laney Gore. “Laney Gore bled on the floor of 204.” (My name is also Laney, if you didn’t know). It starts off with some God awful script writing for the four young adults getting high in the car while driving to their first destination, the hotel. They stop at various macabre sights along the way to Coachella, but decide the follow some satanist store owners when they are mean to them in their store. I had to fast-forward through a few scenes like the party and any time the group is in a car. On top of the lame scenes and painful script, the music is mostly not for human ears. The main characters aren’t people you’d feel sorry for, either. After easily outing themselves to a group of Satanists, it becomes crystal clear that the spies deserve whatever comes to them, and you will not be routing for any of them, not even familiar face, Sarah Hyland. I did, however, enjoy that there was no bad CGI and I like the time loop thing even though it didn’t make much sense other than being just another factor in the nightmare that poor ‘Doe Eyes’ has to endure. I was disappointed that we didn’t get to really see any of the deaths, and any favorable feelings I felt were swiftly erased by the wtf ending. I guess Hell is unpredictable.

* Extra point for using my name a lot.

The Bye Bye Man (2017)

Score: 3.5/10

Length: 97

Rating: PG-13

Language: English

Categories: 2000s, recent, monster, ghost, devil, murderer

A nauseating couple and the guy’s childhood best friend move into a house in need of some renovations. They find some old stuff, say the bad bye bye words, and then the ghost-demon or whatever infects their brains, turning people into delusional killers. There’s a lot of stupid garbage in the movie. Like, the obvious one, the name of movie’s antagonist, and the title of the movie. Or perhaps, the dreadful script. The so-called (for reasons unknown) Bye Bye Man, who we see way too much of, reminds me of this guy from Beastly (which I obviously haven’t watched, but I remember the awful movie poster).  However, I did like the whole Vanilla Sky, “what’s real, what’s not??” situation. There were a few mini mind-fucks that caught me off-guard but there were a few dumb ones as well. This is not a film I’d recommend, but I didn’t feel like it was a waste of time or anything and the ending was kind of cute. If only that wit had been in the rest of the film.