Hereditary (2018)

Score: 8 the first time, 8.5 the second /10

Length: 127

Rating: R

Language: English

Categories: 2000s, recent, recommended, SPOILERS, supernatural, murderer, devil, psychology

Here comes a spoiler in stars that you may or may not want to read. I, personally, would have appreciated it before watching the film. *No matter what direction you think the movie may be going in, it is supernatural and demonic.* I spent half the movie paying attention to the wrong clues because I was hell-bent on it being about multiple personalities. I love Toni Collette, she has a really emotional ugly cry and always gives it her all. I loved her show about D.I.D. titled, United States of Tara. The pieces mostly fit together and everything was making sense, until the ending smacked me across the face like a wet glove. My friends have also mentioned that they weren’t prepared for the ending, even though they had most likely watched the previews and went in open-minded. This is just one of those films that you have to watch, read up on, and watch again. The ending definitely wasn’t a predictable let-down like in The Witch, but it seems to leave the viewers intrigued, though left in the dark. It’s about a family with two strange kids going through the motions of grief. Moreover, it’s the story of a woman suffering complicated relationships and horrible circumstances. Each character is well-fleshed out, and even though most aren’t entirely likeable, they’re captivating and unique at the very least. The family members are just relatable enough to watch, but each are tormented in their own individual and strange ways. Psychology intermingles with tension and witchcraft, and the viewers who find the beginning too slow, I’m sorry, don’t appreciate strong acting and character build. I wasn’t bored for a second, even though there weren’t many jump scares or bloody scenes until the second half. Overall, I thought everything in this film was strong from the costumes to the location to the pure creativity. The ending could have been glued together better to make it easier to stomach and understand without having to research it online. I recommended seeing the movie with a chocolate bar in your hand.

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Top Ten Horror-Comedies

I may love French romance-comedies and horrors of all sorts, but horror-comedy is my true favorite genre. So as you can imagine, it was really hard to narrow it down to just ten fantastic films. I could have easily done twenty, but I like a challenge. This list is not of the movies I think deserve to be labelled as the best per se, but they are my personal choices based on preference. (Which is why you might see a lack of zombie movies on here. There are great movies out there, but I just want a very small teaspoon of zombie in my horror cereal.) Here are my favorite, funniest, fright-filled films accompanied by their snack pairings, because nothing goes better together than fear, laughter, and sugar.

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10. Dead Alive or Braindead (1992)

I don’t even know quite how to describe this movie, but there are definitely some very scarring scenes included in this memorable monstrocity. Zombies, rats, blood, gore, and disgusting monster babies… this is for sure one to watch on a first date.

Snacks: Well, to be honest, probably nothing, but chips sound like a safe option.

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9. Snarknado (2013)

Lame CGI, C-list actors, and a ridiculous plot- this one’s got it all! Several spin offs were created based on this films crazy, creature creation. It doesn’t really make any sense, but it’s action-packed and loads of fun to see these over-dramatic actors battle sharks whipping around in a tornado.

Snacks: if you don’t live in Iceland and can’t get fermented shark, try a shark or whale-shaped candy instead from your local 711.

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8. The Gingerdead Man (2005)

One of my favorite Christmas movies, if not just for the title of the original, and more importantly, the sequels (Passion of the Crust, Saturday Night Cleaver). Gary Busey is a serial-killer-turned-cookie who creepily, and kind of cutely, stalks the girl who sent him to the electric chair. It’s barely over an hour, so it’s not much to chew through.

Snacks: gingerbread men, obviously, and perhaps a holiday beverage of sorts

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7. Scary Movie (1996)

This is an iconic nineties movie that mocks a bunch of classic, popular horror movies. It spawned loads of other comedy copycat films that were all pretty bad cheese-fests, but a few have the potential to squeeze a laugh out of you. This film in particular pokes fun at Scream, I Know What You Did Last Summer, The Blair Witch, The Exorcist, and a whole slew of others including unscary films as well. Holding it all together is a story about a teenager being stalked by a slasher-killer.

Snacks: I’d be funny and say mashed potatoes (from the scene in Scary Movie 2), but I’d also like to recommend a snack you’re actually going to eat, so how about Jiffy Pop and a batch of special brownies.

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6. Cabin in the Woods (2012)

This quirky, sarcastic, horror movie turned out to be a surprise hit. It’s the usual crew of young adults vacationing at a cabin in the woods. I’m not going to ruin anything, but if you know nothing about this film, I suggest you watch it continuing to know nothing about it beforehand. It’s imaginative and unexpected at every turn. The only downfall to the movie is the cheesy ending cushioned by an appearance by Sigourney Weaver.

Snacks: a good old-fashioned pizza with loads of various toppings

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5. Killer Klowns From Outer Space, 1988

Kooky karnivals klowns kausing kalamity. Characters straight off a poster and whimsical sci-fi make this lesser-known movie a kult klassic. It’s bad, but it’s also good. Nothing beats silly alien-clowns who cause havoc and terror with their popcorn guns and deadly cream pies.

Snacks: Kotton kandy and ice kream

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4. Dead Snow (Dod Sno), 2009

Another one I saw at film festival, and I’m ashamed to say that even though I OWN the second one, I still haven’t gotten around to seeing it. Here, nazi zombies (that are actually scary af) attack a group of young adults staying at a ski lodge. Dumb and extreme decisions are made, somehow resulting in laugh-out-loud hilarity. These zombies aren’t dummies that are falling apart, they’re determined, undead, soldiers on a mission. Yikes.

Snacks: hot chocolate

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3. What We Do in the Shadows, 2014

Probably one of my favorite movies of the decade- it was genuinely funny and creative, and unfortunately, that was pretty shocking to me. I wouldn’t think I’d be attracted to a film that can be described as a documentary about vampires living in New Zealand. But the characters are lovable and hilarious, the story could carry on for decades without letting go of your interest, and there is just nothing to hate about this heart warming, blood-sucking, horror-themed comedy.

Snack: fries (“chips”) or spaghetti (“worms”)

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2. The Rocky Horror Picture Show, 1975

An iconic cult film that I’m saddened is not on Broadway yet. A couple arrives to a castle where a transvestite and his alien assistants create a man, host a party, kill a biker, and sing a lot of sexy songs. It’s a musical that’s fun for everyone fun. There’s nothing better than a movie theatre or bar event where everyone dresses up and throws half of their props in the air. Look forward to a purse full of uncooked rice.

Snack: hot dogs (frankenfurters) and Hot Lips candies

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1. Troll 2, 1990 (alongside Best Worst Movie)

I saw Best Worst Movie at a film festival and then fell in love with the ridiculousness that is Troll 2 shortly afterwards. It has absolutely nothing to do with Troll 1 and the trolls are called Goblins… the words troll isn’t heard once. The town is named Nilbog, which is Goblin spelled backwards, and the goblins turn people into plant goop because they’re vegetarians. In a land where popcorn fills sexy trailers and hospitality is literally pissed on, anything can happen in this mean, green, horror-comedy machine.

Snack: corn on the cob, popcorn, green jello, green cupcakes, milk, anything vegetarian

 

Title image from House IV, another fantastic horror comedy.

Top Ten Most Memorable Horror Movie Masks

I’d first off like to apologize for my absence. I’ve been working on a few Top Tens, and even though I saw a crapload of horror movies in October, I went on a sunny vacation right after and forgot most of them. So now, I present to you, an interesting theme: masks! Masks are the ultimate murdering accessory. Although makeup is more in than attachable face plastic, there are lots of awesome famous horror movie masks out there.

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I’d like to start off with an honorable mention that couldn’t be included in this list because it’s a tv show: Goosebumps, The Haunted Mask. This was most likely one of the first ever spooky masks that I encountered, in the book and then on tv. The mask that doesn’t come off has definitely been done before, but that doesn’t make the it any less awesome. I plan to add this detailed, green monster to my costume collection someday.

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10. Alice, Sweet Alice;s Plastic Make-up Mask (1976)

Although this movie isn’t super well-known, this type of see-through, second skin is still in every store selling Halloween costumes today. The plastic, makeupped adult face supposedly worn over a child’s innocent face makes it even creepier, as worn with a yellow rain jacket in the film. There is also a similar, updated version in V/H/S.

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9. Halloween III: Season of the Witch’s Silver Shamrock Masks (1982)

The Jack-o-lantern, witch, and skeleton masks intended to melt children’s faces appear only in this installment of Halloween that has nothing at all to do with Michael Myers. Although entertaining, the whole Stonehenge thing and evil mask-manufacturer situation doesn’t really make a lot of sense.

      

8. Terror Train’s Groucho Marx Mask (1980)

On New Year’s Eve, a murderer kills college kids on a train. He wears several different masks on the train that he swaps with his victims, but they don’t quite have the off-putting creepiness that the Groucho seems to have.

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7. Trick ‘R Treat’s Burlap Sack (2007)

This film is technically an anthology, but I find that it’s really only remembered for the character, Sam. It’s kind of cute, kind of creepy, and definitely silly-scary underneath.

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6. Phantom of the Opera (1925)

The phantom changes over time, but the mask doesn’t really. The first film is included in this list because it’s the only one that is actually a horror film besides the virtually unknown 1989 version with Robert Englund. It’s white, it’s simple, and it’s close enough to the iconic half-mask in the musical versions.

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5. The Strangers’ The Man in The Mask, Pin-Up Girl, and Dollface Masks (2008)

This is one of my favorite movies, as I’m terrified of stalkers and this had great tension and character story. Each of the torturers wears a mask, but the face has nothing to really do with anything besides their gender. They’re all equally scary in that they don’t have any rhyme or reason to them, and the faces behind them are never revealed.

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4. The Texas Chainsaw Massacre’s Skin Mask (1974, 2003, and sequels)

Leatherface is inspired by Ed Gein who was obsessed with making things out of human body parts such as bones and skin. Throw in a chainsaw and some off-beat, grotesque characters and you’ve got yourself a gore fest phenomenon. Whether it be the original or the remake, both have the iconic stitches and skin mask. I wonder how Leatherface would feel about a peel at the spa.

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3. Scream’s Ghostface Mask (1996 and sequels)

If you asked people to blurt out the first Halloween mask that comes to mind, I bet Ghostface would be at the top of the list. Inspired by Edvard Munch’s The Scream painting, this franchise and its unforgettable mask made a huge dent in film history.  The return to the slasher was immensely popular, and ever since the film’s release, the Ghostface mask has been on shelves. Even though the movie has some nineties cheese, the twist is all that matters.

2. Halloween’s Michael Myers (William Shatner) Mask (1978 and sequels)

Let’s be real here, this is a bad mask. Even when you see it sold in stores the hair’s all matted and the skin is lumpy. But it serves its purpose in the movie, because the expressionless face easily gives you the creeps. Halloween is just another slasher movie with no real backstory, but it’s a fun, mindless film to watch, and there are lots of sequels to binge-watch on my favorite holiday.

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1. Friday the 13th Part 3’s Hockey Mask (1982 and sequels)

Jason Voorhees sure is a man of the times. His mask style changes in each movie, and although for the most part, he sporting a generic hockey mask, he also tries on a sack and a metal, alienlike option. Jason is supposed to be a deformed psychopath, so I suppose any old mask will do. The great thing about the Friday the 13th films are that there is a little bit of comedy, a few scares, and countless ways to kill featured. Jason has a decent backstory, and the original film’s twist makes up for the fact that the mask doesn’t appear.

 

 

ABC’s of Death 2.5 (2016)

Score: 5.5/10

Length: 85

Rating: NR

Language: English

Categories: 2000s, recent, anthology, murderer, alien, monster, zombie, devil, vampire,  horror comedy, holiday, gore porn

Another film of shorts! This one, brought to you by the letter ‘M’. Because I guess they had a lot of ‘M’ entries. I love anthologies because there is always something for everyone but I really could have done without the scratchy title music. For this review, I’ve decided to give each segment a grade and just a quickie synopsis of a few words.

Magnetic Tape – Silly, gory, nerd fun. (B)

Maieusiophobia – Terrifying waxmation birth. (A)

Mailbox – Skippable vampire trick-or-treat. (C)

Make Believe – Mediocre murder and kid fairies. (c)

Malnutrition – A well-done zombie segment. (A)

Manure – A memorable, May-like poop monster. (A)

Marauder – A hipstertastic black and white tricycle race. (B)

Mariachi – Murders in a death metal music video. (C)

Marriage – A creative and captivating therapy session with a surprise ending. (A)

Martyr – A cult ritual that I could have sacrificed. (C)

Matador – A sick and twisted gorefest of intensity. (A)

Meat – A dark meatmation segment that is unique and thought-provoking. (A)

Mermaid – A stupid mermaid meal. (C)

Merry Christmas – Krampus feels bad for himself with a prisoner who has a face for acting. (C)

Mess – Oh God, why. You deserve to know now that ‘the mess’ is water poop coming from a belly button. (C for can’t. I can’t.)

Messiah – A woman is captured by masked forest-people. (A)

Mind Meld – A clever, gory experiment. (A)

Miracle – Well, it’s about box… it was too short and quick for me to comprehend anything else. (B)

Mobile – A man gets torture text instructions with a twist. (A)

Mom – A light zombie-kid romance. (B)

Moonstruck – An unexpected paper cartoon about romance, betrayal, revenge, and death. (A)

Mormon Missionaries – An encounter with two missionaries takes a turn for the worst. And then it gets worse. (A)

Mother – A giant CGI spider. (C)

Muff – A hilarious hotel sex encounter goes fatally wrong. (B)

Munging – Gross and awful topic, but the corpse’s make-up was great. (B)

Mutant – Eager losers shoot at flying mutants that break out of people’s faces. It was good until the the first bat was revealed, and then it got really bad. (C)

 

XX (2017)

Score: 4/10*

Length: 80

Rating: R

Language: English

Categories: 2000s, recent, monster, murderer, toys, anthology, holiday

This anthology is all female directors and lead actors (but not writers), so the disappointment with the film hit harder than usual. One of the stories is even written by the musician, St. Vincent who is a gifted visionary.  The film has four stories that aren’t related to each other at all, and none of them are original, memorable, creative, or provide any indication that this movie is focused on women. The only thing I can picture myself remembering when thinking of this film later is the strange, doll-head stop motion in between the segments. Also, I get why the film is called “XX“, but considering there’s a band already with the same name, they really could have tried a little harder. This whole film feels like a real lack of effort on everyone’s part.

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The Box

In one line: Cannibals at Christmas.

Good: I liked the mystery around what was in the box and this was probably the best story out of the four. It had clear direction to it.

Bad: The script was pretty cheesy, and there were parts that didn’t exactly make a lot of sense to me.

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The Birthday Party

In one line: Dead dad ruins birthday party.

Good: The struggles of a mom trying to make everything okay for her child’s birthday is relatable. The costumes are also hilarious, and I appreciated the quirky vibe.

Bad: It’s really just an episode of a woman dragging around a man’s dead body and that can get pretty dull.

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Don’t Fall

In one line: Monsters in the desert.

Good: The monster was fairly well done. Good makeup as opposed to CGI.

Bad: It was a pretty overdone story idea with nothing special added to it.

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Her Only Living Son

In one line: Teenager turns into violent werewolf-monster of sorts.

Good: Again, the mom’s struggles were relatable.

Bad: There wasn’t really an ending, and the son making the mom crawl towards him on her knees was pretty cringe-worthy.

 

* I’m giving this an overall score, as none of the shorts were anything special, and none were better or worse than any other, which is pretty rare. All in all, the meh movie is getting a meh overall score.

Masters of Horror: The Black Cat

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Stuart Gordon (Re-animator, From Beyond, Dolls)

Evil Category: an aggrevated, alcoholic author

Score: one out of five broken, black ink pens

You’d think this would be about a cat who witnesses something horrible, or a bunch of stories that merge together with the cat appearing in each one, or even just a killer-cat. But no, it’s about Edgar Allen Poe going insane and attacking a cat for little reason. He wants to write poe-try, and his wife is coughing up blood all over the place. The story isn’t too bad, but man, the acting is so painful. I’d be just as well off watching an episode of Days of our Lives. The constant coughing alone is enough to drive anyone to madness, but the cruelty to animals does not in the least get me routing for Poe. That bird clearly just had a smear of ketchup on it and the cat eyeball scene… Jesus. I skipped a lot of it, and I was glad it was finally done watching it in the end. I would have rather watched Secret Window.

Satanic (2016)

Score: 4/10*

Length: 85

Rating: R

Language: English

Categories: 2000s, recent, devil, supernatural, murderer

I’m going to start off real here. The only reason I’m watching this movie is because I hear they stay in a hotel room where a girl slits her throat, and her name is Laney Gore. “Laney Gore bled on the floor of 204.” (My name is also Laney, if you didn’t know). It starts off with some God awful script writing for the four young adults getting high in the car while driving to their first destination, the hotel. They stop at various macabre sights along the way to Coachella, but decide the follow some satanist store owners when they are mean to them in their store. I had to fast-forward through a few scenes like the party and any time the group is in a car. On top of the lame scenes and painful script, the music is mostly not for human ears. The main characters aren’t people you’d feel sorry for, either. After easily outing themselves to a group of Satanists, it becomes crystal clear that the spies deserve whatever comes to them, and you will not be routing for any of them, not even familiar face, Sarah Hyland. I did, however, enjoy that there was no bad CGI and I like the time loop thing even though it didn’t make much sense other than being just another factor in the nightmare that poor ‘Doe Eyes’ has to endure. I was disappointed that we didn’t get to really see any of the deaths, and any favorable feelings I felt were swiftly erased by the wtf ending. I guess Hell is unpredictable.

* Extra point for using my name a lot.

Masters of Horror: Pelts

Masters of Horror is a 2000s television series with a different director for each of the thirteen episodes in the season, running about an hour long.

Directed by: Dario Argento (Suspiria, Opera, Inferno)

Evil Category: the cursed revenge of the trash pandas

Score: one out of five dry-cleaning bills

I put off watching this episode for quite some time just based off the title, and rightfully so. It’s about a big, greasy man who is in the fur business. He’s in love with a stripper who he tries to rape, and when he comes across some fine pelts, it allows him to present a (ridiculous) business proposition to her. He’s going to make her a fancy fur coat so she can wear it and be a fashion model. Seriously?! Don’t worry, the raccoons get their revenge, of course, on the coat wearers. I didn’t realize raccoon fur was so coveted and rare… Not even the gory baseball bat to the face and the headfirst plunge into a trap could save this episode’s stupidity. It’s so not something I needed to watch, and I read a book while watching most of it anyway. Point is only for gore.

Holidays (2016)

The little treat featuring each of the biggest holidays of the year is composed of eight stories from different directors. Definitely one of the better horror anthologies to date.

Valentine’s Day

Director: Kevin Kölsch and Dennis Widmyer (Starry Eyes)

Score: four out of five Hershey’s kisses

A bullied outcast (not unlike in Carrie or The Craft) competes with the blonde popular girl for their swim teacher’s heart. Literally and figuratively. I tend to like a movie about obsessive love, and I really enjoyed this one. It’s memorable in a good way.

St. Patrick’s Day

Director: Gary Shore (Dracula Untold)

Score: three out of five snakeskin flasks

A woman who yearns for a child is put off when her new student begins doing strange things involving a snake. After waking in a parking lot, the teacher becomes pregnant with a reptilian creature. This episode is all well and good until it crashes and burns in a field where a silly CGI snake is celebrated by Danny Zuko’s animal-headed posse.

Easter*

Director: Nicholas McCarthy (The Pact)

Score: two and a half religious rodents out of five

A little girl who is uneasy about the Easter Bunny’s visit gets more than she fears when she stays awake and catches the character himself. The Easter Bunny is this creepy-as-fuck Jesus man-rabbit that’s all skin and no fluffy white fur. There’s not much to this one- she sees the creature and then is turned into a rabbit herself.

Mother’s Day

Director: Sarah Adina Smith (The Midnight Swim)

Score: three out of five bewitched baby bumps

A woman who cursed with a pregnancy every time she has sex goes to a fertility ritual gathering. She is drugged and kidnapped in the most romantic way, as she grows more and more pregnant with “the gateway”. This segment seems to focus on beauty over horror, and is in fact quite enchanting with all its natural female power. Sadly, the end really falls flat and is a huge disappointment in its unoriginality.

Father’s Day*

Director: Anthony Scott Burns

Score: four out of five deep daddy directions

Another woman (yup, the leads are all females so far) receives a mysterious package with a tape player inside. The recording is of her father who asks her to come find him. It’s very simple and vague, and relies heavily on the acting and your imagination. The story reminds me a little of Stranger Things, and I’d love to see how this short would do as a full-length film.

Halloween

Director: Kevin Smith (Tusk, the worst horror movie I’ve seen since Human Centipede)

Score: one out of five cringe-worthy car batteries

A douche who runs a scuzzy webcam business gets what’s coming to him when his cam girls rebel and use the power of three to cause some… er… discomfort. I’m all for a revenge story, but I’m not too into torture porn, and I really could have done without this episode ruining my favorite holiday.

Christmas

Director: Scott Stewart (Dark Skies)

Score: two out of five presented realities

Seth Green is out of luck when he is too late to get a last-minute Christmas present until he has the opportunity to steal the game from a man- or save his life. It sounds exciting, but all the episode is only comprised of a few virtual reality revelations and then it’s over.

New Year’s Eve

Director: Adam Egypt Mortimer (Some Kind of Hate)

Score: two and a half axe-girlfriends out of five

A tired single girl goes on a date with a yellow-toothed psycho, but he’s in for the quite the first date. I empathize, because I’d really like to do the same thing to some of the guys I’ve dated. Not a lot happens, and this episode seems like the shortest one, but it’s still mildly entertaining. Really great to watch before bed, because it makes you want to jump up and brush your teeth.

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Tales of Halloween (2015)

This (mostly) Halloween-themed horror anthology is comprised of 10 stories which are individually rated below. (Segments are rated in comparison to each other, not to movies of the horror genre as a whole.)

Length: 92

Rating: R

Language: English

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Sweet Tooth (dir David Parker)

Score: 7/10    Villian: monster, human

It’s almost a shame that they put the best story first. I forgot that I was watching an anthology and was disappointed when it ended. Although I liked some of the others, I might have preferred to watch a whole movie about this. It’s a simple spooky story about a monster who eats your insides if you inhale all the candy and don’t leave him any. It’s fun and creative, with an ending I can appreciate. I’m sure this was the reason I bought that box of over-priced Halloween candy at the grocery store.

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The Night Billy Raised Hell (dir Darren Lynn Bousman)

Score: 5/10    Villian: devil/demon

A young kid dressed as a devil is pressured into pulling a prank on an old man. He is tied up while a look-alike demon wreaks havoc on the town with the old man devil snickering behind trees and such. The hot mom line was a little overdone and the cheesy noises and sound effects take away from the short. I would have preferred the same idea without the comedy.

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Trick (dir Adam Gierasch)

Score: 5/10     Villian: human

On Halloween, kids decide to trick instead of treat, killing the young adults in vicious ways. That’s all I can really say. I wish this segment had more. It was way too simple and easily forgettable. It deserves a like review.

 

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The Weak and the Wicked (dir Paul Solet)

Score: 5/10            Villian: (monster), human

A kid who is bullied by three hoodlums on bikes returns as a young adult with an evil spirit to invoke his revenge. It’s mostly shots of the female leader of the pack slowly sucking on a cigar and trying to give fire eyes.

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Grim Grinning Ghost (dir Axelle Carolyn)

Score: 6/10             Villian: ghost

Nothing much happened in this segment either, but I could easily empathize with the main character and it has a nice climax build-up. The acting seems genuine and this is a nice, little spook. It’s about a woman at a party who is told a story about a ghost who cackles behind you as she follows. If you turn around, she gets you. After the party on the way home, the tale  comes to life as the frightened gal wills herself not to turn around.

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Ding Dong (dir Lucky McKee)

Score: 5.5/10           Villian: monster/human

This strange story about infertility feels like I’m watching the Babadook in a Bjork video. Probably the strangest out of the bunch and the most unsettling. A couple unable to reproduce, struggle to keep cheery faces on when floods of children come to their door. As the husband tries to make light of the situation, the monster inside his wife appears more and more. The husband is dressed as Hansel, however, he looks more like Stewart from MadTV.

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This Means War (dir John Skipp and Andrew Kasch)

Score: 6/10           Villian: humans

Two generations of Halloween-lovers fight over the better way to enjoy the holiday. Loud, metal music, gory decorations, and a big party -or- classic family fun with animatronics and spooky effects. In the end, no one wins. The idea worked well for a short story, but there weren’t really any surprises, and it left the episode feeling too cute.

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Friday the 31st (dir Mike Mendez)

Score: 3/10             Villians: alien cartoons, possessed humans, and Jason

Deformed freak and movie murderer Jason Voorhees meets a cartoon alien that looks like it could be from an Eiffel 65 video. He finds the creature annoying and stomps on it, which in turn allows the alien to possess a female victim who launches herself at Jason. They hack away at each other and then the alien goes home. I don’t think I need to give any additional comments towards this description.

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The Ransom of Rusty Rex (dir Ryan Schifrin)

Score: 4/10                        Villian: gremlin

Two men kidnap what they think is a child, but what turns out to be a little imp-gremlin of sorts. The vertically-challenged monster torments the kidnappers as they do everything possible to get rid of it. This episode is mildly comical, but easily forgettable.

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Bad Seed (Neil Marshall)

Score: 6/10            Villian: killer pumpkins

This is probably my second-favorite segment, as the director really understands how to make horror cheesy and fun. It’s about an evil jack-o-lantern that eats humans head first. The idea isn’t anything fantastic, it’s the delightful little ending that gives it a small sparkle… of doom.