I Am Not A Serial Killer (2016)

Score: 4.5/10

Length: 104

Rating: NR

Language: English

Categories: 2000s, recent, murderer

A teen, who is a little too serial killery himself, discovers his elderly neighbour murders for fun, or rather the CGI blob who inhabits him does. It’s well-acted, with Christopher Lloyd and Max Records (the kid from Where the Wild Things Are) and it had a nice moody tone. However, this is just another film festival flick that’s quirky and well-pieced, but boring and forgettable. I’ve seen this type of movie a million times- it’s intriguing, it has potential, but it’s just not something I’d want to revisit or recommend to anyone.

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Terrifier (2016)

Score: The Movie 4.5/10
The Clown 10/10

Length: 82

Rating: NR (But DEFINITELY R)

Language: English

Categories: 2000s, recent, supernatural, murderer, gore porn

Besides the infamous shocking scene, this movie isn’t much more than gore, and I don’t think it’s supposed to be. It’s simply about a creepy clown that slaughters and kills in creative ways. A few friends with cliche Halloween costumes make moronic decisions and die. The end! It’s all fairly shittacular except for the Art the clown who is a rare gem. Art made his first appearance in All Hallow’s Eve which was an anthology film, and quite different from this one. Terrifier is all about Art (played by David Howard Thornton), and it is a terrifying performance indeed. The clown’s mannerisms and his expressions (he doesn’t speak or make any sounds) are exquisite and expertly crafted. I cannot say enough about the clown as I absolutely love the character and how he was acted. The worst part of this film is probably all the idiotic decisions the characters make. They might as well just run towards the killer and call it a day. Sorry friends, but if you ask me to meet you in a creepy abandoned building in the middle of the night, it isn’t going to happen, no matter how badly I have to pee. Even though the characters are sleazy and disposable, the “saw scene” is still heinous and hard to stomach. If you’re looking for creative gore and clown creepiness it’s worth a watch, but don’t expect a smart or engaging plot.

Attack of the Killer Donuts (2016)

Score: 2.5/10

Length: 98

Rating: NR

Language: English

Categories: 2000s, food, murderer, horror comedy, almost horror, good bad

So I had braved the ice-wind to get some donuts from Tim’s. It’s not like they’re the best donuts or anything, but they’re right around the corner and Modern Jelly was closed for delivery. Although this review was started way back in winter, I still remember my numb hands frozen into a claw trying to carry this wide, flat box around the corner to my apartment. The donuts in the movie aren’t overly horror-influenced, even though they’re supposed to have tiny little flesh-ripping teeth. Besides the parts where the pastries are CGI, spinning and floating in the air, the donuts mostly spend their time looking like they’re being flung by humans, at humans. (Which us the obvious truth.) This is another cheap and corny horror flick that has a mildly fun idea that’s wasted on a lazy, humorless hour and a half of film. The cuteness is pretty watered down, and I’d be satisfied from just watching the trailer and nothing more. On the plus side, I got to pig out on donuts, and there ain’t nothing bad about that.

 

Film Face-Off: Without Name vs. The Nameless

The only thing that might make this face-off better is to snack on various no-name brand munchies while watching them.

 

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Without Name (2016)

Score: 7/10

Length: 93

Rating: NR but probably PG-13

This film is about a surveyor who works on measuring a gorgeous, Irish forest with his lover-assistant while staying at a cabin on the land. The shots of the forest and trees were stunning each time, and if the entire movie was just the camera moving through that forest, I wouldn’t be upset. It’s artsy, it’s earthy, and it has something to say. It makes me want to open my windows and breathe the air of the trees. I mean, I live in the city so it’s only like, five trees on this block, but that’s okay. The problem with the film is that the second half is so dreamy with vivid images and murky with hallucinations that it’s difficult to really remember anything exactly when the movie is over. This is more of a visual trip than a horror movie, but luckily, I’m into flashing tree lightning.

 

The Nameless (1999)

Score: 4/10

Length: 102

Rating: R

There’s a mom, who is sad and depressed, grieving for her deceased daughter. A call comes in, supposedly from the dearly departed, and the mother begins to question if her daughter is really dead, or if she is captured by a cult and the body belongs to another child. ‘The nameless’ are pretty much described as crazy angels, and they may have captured the daughter and are keeping her in this earth angel house. I’m not sure if it’s the script or the translation, but the lines are so awful it’s distracting enough to ruin the movie. There are a few stories going on, but none is too exciting, and the film just drags on until the nonsensical climax. I kept realizing as I went on, how much of this I had already fallen asleep to on the first attempt. Cloudy clues, retro slasher music, and needless repetition like the movie wishes it were a soap opera mini series. And the whole thing with the nipples… what’s up with that?? A ridiculous ending finally finishes off the film and leaves you only feeling relieved that it’s over. My favorite part of the whole movie was the creepy dude (pictured above) in the asylum talking in riddles. His blotchy skin patterns made the movie, in my opinion.

 

*!Winner!*:

Without Name, without a doubt. Although I forgot what this movie was about and had to watch it a second time before reviewing it, the film was a lot easier to enjoy than The Nameless. Devoid of bad writing and dullness, Without Name is my Film Face-Off champion!

From A House on Willow Street (2016)

Score: 3/10

Length: 90

Rating: NR (R)

Language: English

Categories: 2000s, recent, woods, demon, zombie, monster, murderer, ghost

This movie is a mess. The idea isn’t too bad: the daughter of a wealthy man is taken hostage, but the kidnappers soon find out that their plans have changed when she turns out to be possessed by a demon. Somehow, this film is short yet feels long, and is overly complex, yet dull. There’s lots of gore, the makeup isn’t bad, and the characters all have a story. But ugh, it’s just all over the place and with the ridiculous CGI… over it. The acting was a little painful, but the movie starts off decent focussing on the kidnappers instead of the victim. There are a few scares that don’t make sense yet and although it’s fairly guessable, the movie feels like it’s going somewhere. As it continues towards the crash and burn that is the ending, watching it gets harder and harder to bear. The Indian priest’s character and lines were just awful and awfully acted. I found I cared less and less about everyone as the film went on and then those goddam spiky tongues. Unfortunately unforgettable. I’d say it’s a mix between Th13teen Ghosts and Don’t Breathe, but those are both good movies and this one is not.

The Blackcoat’s Daughter (2016)

Score: 5/10

Length: 93

Rating: R

Language: English

Categories: 2000s, recent, murderer, demon, girly, hotel

As obvious by the film’s poster, there are two stories here. One about two girls left behind during break at their boarding school, and the other about a young, escaped mental patient who is taken in by a man and his wife. There are hints throughout this movie that lead to the twist, and it’s a good one. However, there are too many problems in this film to make it work. *Spoiler section* The first issue I have is why they couldn’t make the girls look alike. They put zero effort into this besides the fact that they are both blonde. The girls look, dress, and act totally different from each other for no reason. Even if you are thinking of yourself as an alter ego, your hair might be different, your clothes might be what you’d ideally wear if you were more confident, sure, but I’d assume at least your face shape would be the same, no? The second biggest annoyance is that the “rescue dad” has no idea what the girl who killed his daughter looks like. I find that a tad hard to believe. And what’s with the beheading? There could have been a really easy reason given as to why beheading was the preferred kill method. I would have taken anything that fleshes out the story of the demon a little more. Because, let’s be real, no one really cares about the dark-haired girl that much, and considering she dies so quickly anyway, it would have made more sense to focus on the demon.

*Spoilers over* Besides these three things, the story was strong, the acting was solid, and there was lots of tension and atmosphere. It’s so disappointing that this could have easily been a great film, akin to The Witch.

Here Alone (2016)

Score: 5.5/10

Length: 98

Rating: NR (18A-R)

Language: English

Categories: 2000s, recent, zombie, woods, murderer

This survivalist film isn’t heavy on the horror. It’s a slow, building storytale of hard decisions and remorse. A woman’s backstory is weaved in through her current actions which are mostly about pouring piss and animal dumps on herself and eating maggots. It’s not all bad though- a teenage girl and her mother’s boyfriend stumble across the loner’s campsite, and thet share meals and hide from the rain together in the car. A lot of predictable events happen, but the last bit takes a spin into unchartered territory and I didn’t mind the ending. The characters could be more likeable, even though the entire film has you involved with their lives, close up. In actuality, this is a zombie movie, but there aren’t many appearances of the undead, and it really just feels like a horror version of Last Man on Earth. (Which isn’t exactly a bad thing.)

 

The Witching (2016)

Score: 3/10

Length: 80

Rating: NR

Language: English

Categories: 2000s, recent, anthology, ghost, supernatural, demon, witch, murderer, woods

I know I say a lot of movies feel like a Goosebumps or Are You Afraid of the Dark episode, but this is actually a group of people around a campfire telling scary stories. It’s a shame the campfire group with their podcasts and video recordings are so stupid, because the shorts in this surprise (I thought this was going to be a movie about witches) anthology aren’t as bad as the wraparound. There are six stories in this film. Here’s a short recap of the mediocre tales:

  • Grief – A grieving mother is haunted by her dead son who leaves his toy truck around the house. Turns out it’s not her son.
  • Sleepwalker – A woman wakes up to find her face smeared with black sand and discovers she is being visited by the demon version of the Sandman.
  • The Hourglass Figure – A housewife finds her mother-in-laws secret: an hourglass that stops time for an hour a day. Unfortunately, if the one-a-day rule is broken, there are dire consequences.
  • Next Caller – A radio show host has a guest who tries to prove herself by having God and Satan call into the show.
  • Graveyard Shift – A security guard tries to help a woman who is overdosing, but she runs away and disappears. Turns out she’s a ghost.
  • Sweet Hollow – A woman pulls over for a man who tells her that her tire is loose and tries to fix it. They are apparently going to the same party, so he’s allowed to ride in the car with her, but when she receives a call from her sister, she finds out the man is lying.

As you can probably tell, the shorts are not well thought-out, and not only are they lazy, they’re forgettable. The best out of the group for me was probably the hourglass story, since it’s the most interesting idea. It’s a watchable movie overall, but I definitely wouldn’t recommend it.

A Dark Song (2016)

Score: 5.5/10

Length: 100

Rating: NR

Language: English

Categories: 2000s, recent, supernatural, devil, haunted house

I was actually terrified to watch this film, because when I was looking it up, THIS happened:

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However, I finally got around to it. The film was very much a slow burner. Like a dull headache that grows more and more painful. Not to say the movie was bad or anything, it’s just that it really focussed in on the torture and despair that drove the painful practises. No jump scares or tension-building. More of like a bad dream you wake up from in the day time. It’s about a woman who has suffered a loss and is looking to do a little dark magic with a guide, which takes intense dedication and strength, in order to see the one she’s lost. Unfortunately, the ending is very fantasy-filled and hopeful. If it were another movie that was less depressing, it would have worked, but it just didn’t quite fit with the rest of the film. Perhaps if they had changed the glowing image and ended the film on a dreary note, it would have been a winner. A ghost, or macabre icon, singing a song would have been better-suited. Because, guess what, there are no songs or singing of any sort in this movie.

The Belko Experiment (2016)

Score: 4.5/10

Length: 90

Rating: R

Language: English

Categories: 2000s, recent, murderer, psychological, strangers in a small room

It’s like if The Office went on lockdown. A corporate company shuts down the building and asks the employees (aka participants) to kill each other in timed intervals. Strangers in a small space, kill or be killed. There are a whole slew of characters, the good little guys and the bad CEO guys. Some are fairly well fleshed-out and others are simple and forgettable. There were some fun deaths with a tape holder, but I really would have appreciated the campiness of more people being murdered with office supplies instead of guns. I think overall, it needed to decide if it was going to be true horror or on the side of comedy. Although a thriller, at times it felt like a drama. This would be a great film for the TV show, Community to do an episode of. If you’ve seen any other movies about strangers in small spaces, you’ll know it isn’t overly original. And that’s surprising considering how many big names are involved in directing and producing.