A little bit of The Exorcist and a little bit of The Cell, Aaron Eckhart goes inside the mind of the possessed to expel the demon. He’s been searching for one demon in particular for years- the same who killed his wife and son, and it seems like this demon has recently entered an eleven year old boy. This is the Dr. Demon-Banisher’s last chance to kill and get revenge on a devil from his past. Although this idea is fairly fresh, and the story is well put-together, it’s very predictable and there’s not enough tension and gore to bump it up from a drama to a horror. Hence, the rating. There’s not really any plot holes and everything makes sense like a well-wrapped package. But that might be the problem here. It’s too much like the original exorcist movie to be a success on its own, but as usual, I wish there was more of a story to the demon. I had actually seen this movie before and had to re-watch it to remember the plot. A great film to put on when you’re not fully paying attention or you’re hanging with someone who scares easily.
This movie is a mess. The idea isn’t too bad: the daughter of a wealthy man is taken hostage, but the kidnappers soon find out that their plans have changed when she turns out to be possessed by a demon. Somehow, this film is short yet feels long, and is overly complex, yet dull. There’s lots of gore, the makeup isn’t bad, and the characters all have a story. But ugh, it’s just all over the place and with the ridiculous CGI… over it. The acting was a little painful, but the movie starts off decent focussing on the kidnappers instead of the victim. There are a few scares that don’t make sense yet and although it’s fairly guessable, the movie feels like it’s going somewhere. As it continues towards the crash and burn that is the ending, watching it gets harder and harder to bear. The Indian priest’s character and lines were just awful and awfully acted. I found I cared less and less about everyone as the film went on and then those goddam spiky tongues. Unfortunately unforgettable. I’d say it’s a mix between Th13teen Ghosts and Don’tBreathe, but those are both good movies and this one is not.
Categories: 2000s, recent, murderer, demon, girly, hotel
As obvious by the film’s poster, there are two stories here. One about two girls left behind during break at their boarding school, and the other about a young, escaped mental patient who is taken in by a man and his wife. There are hints throughout this movie that lead to the twist, and it’s a good one. However, there are too many problems in this film to make it work. *Spoiler section* The first issue I have is why they couldn’t make the girls look alike. They put zero effort into this besides the fact that they are both blonde. The girls look, dress, and act totally different from each other for no reason. Even if you are thinking of yourself as an alter ego, your hair might be different, your clothes might be what you’d ideally wear if you were more confident, sure, but I’d assume at least your face shape would be the same, no? The second biggest annoyance is that the “rescue dad” has no idea what the girl who killed his daughter looks like. I find that a tad hard to believe. And what’s with the beheading? There could have been a really easy reason given as to why beheading was the preferred kill method. I would have taken anything that fleshes out the story of the demon a little more. Because, let’s be real, no one really cares about the dark-haired girl that much, and considering she dies so quickly anyway, it would have made more sense to focus on the demon.
*Spoilers over* Besides these three things, the story was strong, the acting was solid, and there was lots of tension and atmosphere. It’s so disappointing that this could have easily been a great film, akin to The Witch.
Categories: 2000s, recent, devil, witch, haunted house
Now this is a story all about how this witch got twist turned upside down. There is a witch demon, there’s blood, a slave lady, some sappy scenes, a lot of flickering lights, and an ending isn’t much of an ending. The storyline of the mother and her estranged daughter is solid and well-acted, but the early scares were unnecessary and clouded the film’s tension building. None of the actors are overly likable, so I think those spots could have been filled with more character insight. I loved the details in this like the BITCH DON’T KILL MY VIBE floral Forever 21 sweater and when Jess pulls off the baby’s clay face. I liked the music/ sound effects and the crime scene fairytale situation. But when people got sucked above and below and the Stranger Things world started happening, it felt like a pizza with way too many different toppings piled on. The ending consists of several loose strings and it falls apart quicker than you can say ‘hanging old lady demon boob’. If the saying goes ‘don’t knock it until you try it’, ‘well, I’ve tried it so I can definitely knock it’.
I know I say a lot of movies feel like a Goosebumps or Are You Afraid of the Dark episode, but this is actually a group of people around a campfire telling scary stories. It’s a shame the campfire group with their podcasts and video recordings are so stupid, because the shorts in this surprise (I thought this was going to be a movie about witches) anthology aren’t as bad as the wraparound. There are six stories in this film. Here’s a short recap of the mediocre tales:
Grief – A grieving mother is haunted by her dead son who leaves his toy truck around the house. Turns out it’s not her son.
Sleepwalker – A woman wakes up to find her face smeared with black sand and discovers she is being visited by the demon version of the Sandman.
The Hourglass Figure – A housewife finds her mother-in-laws secret: an hourglass that stops time for an hour a day. Unfortunately, if the one-a-day rule is broken, there are dire consequences.
Next Caller – A radio show host has a guest who tries to prove herself by having God and Satan call into the show.
Graveyard Shift – A security guard tries to help a woman who is overdosing, but she runs away and disappears. Turns out she’s a ghost.
Sweet Hollow – A woman pulls over for a man who tells her that her tire is loose and tries to fix it. They are apparently going to the same party, so he’s allowed to ride in the car with her, but when she receives a call from her sister, she finds out the man is lying.
As you can probably tell, the shorts are not well thought-out, and not only are they lazy, they’re forgettable. The best out of the group for me was probably the hourglass story, since it’s the most interesting idea. It’s a watchable movie overall, but I definitely wouldn’t recommend it.
Categories: 2000s, recent, supernatural, devil, haunted house
I was actually terrified to watch this film, because when I was looking it up, THIS happened:
However, I finally got around to it. The film was very much a slow burner. Like a dull headache that grows more and more painful. Not to say the movie was bad or anything, it’s just that it really focussed in on the torture and despair that drove the painful practises. No jump scares or tension-building. More of like a bad dream you wake up from in the day time. It’s about a woman who has suffered a loss and is looking to do a little dark magic with a guide, which takes intense dedication and strength, in order to see the one she’s lost. Unfortunately, the ending is very fantasy-filled and hopeful. If it were another movie that was less depressing, it would have worked, but it just didn’t quite fit with the rest of the film. Perhaps if they had changed the glowing image and ended the film on a dreary note, it would have been a winner. A ghost, or macabre icon, singing a song would have been better-suited. Because, guess what, there are no songs or singing of any sort in this movie.
As seen at CIFF. The director, Matthew Currie Holmes, a Canadian known for his acting, was there and what a personality! He was handing out beers to the audience, and personally thanked everyone for coming. Luckily, it was a good film. Starring Evan Ross (who I just learned is Diana Ross’ son)! It’s all about urban legends, and although it focusses on a few of them, the idea doesn’t over-complicate the film. It centres around a bad boy, a girl with a past, and the sleepwalking twins as they try to solve a curse by investigating the past. The acting was strong, the photography was ideal, and the only thing I wasn’t really so fond of was the end. The whole “never can escape” thing was not the strongest possible ending I hope for, but it was satisfying enough. The movie was engaging, imaginative, and well planned-out, so I was pleasantly surprised, as you never know what to expect at a film festival.
If you’re into metal and never having showers, this one’s for you. But if you have any sort of headache, I’d strongly advise against watching this movie. So here’s a little spoiler, the so-called devil’s candy is actually children. Somehow, I watched two movies in a row about adults killing children. I happened upon this film because IMDB told me that people who liked this also liked this. Even though the guy on the cover (who is actually the personality in Identity if you get what I’m trying not to say) looks a lot like Bill Murray. The movie has a few loose strings and it just doesn’t quite fit together well, like a badly played game of Tetris. Ethan Embry is a painter whose mind is controlled by demonic forces and there’s a killer who also hears the devil who tells him to sacrifice children. To top it off, the house is evil and the killer’s parents lived and died there. The characters are not the norm, and the acting isn’t bad. Even the idea, for the most part, is fairly creative. But honestly, this one is so incohesive it’s hard to get into and even harder to remember.
Waaaaaaaaaaaaay better than the first one. Probably to do with the director, David F. Sandberg, who also did Lights Out. There are a few upcoming directors I’m following, and this guy might add himself to my list. The screenplay is by Gary Dauberman (Annabelle and the upcoming It and The Nun) and of course, it’s produced by James Wan. I don’t usually discuss the people behind the movie, but this is a real winning combination of horror minds. Lulu Wilson also stood out to me- I remembered her from Ouija: Origin of Evil, and Deliver Us from Evil. I hope she continues with the horror genre. So this one stuck with the demon/ ghost girl/ doll theme pretty well, although three things is already pushing it for me. I don’t particularly find dolls scary, so I’m glad the demon was involved. I feel more and more the importance of a movie’s consistency and main focus not muddied by other entities and useless storylines, so this was mildly refreshing. I was glad that the film focussed on the scares and darkness instead of lame CGI and a billion different monsters like some lazy movies…*cough*… Insidious. There were a few scenes and effects I could have done without, but overall, it was pretty solid. The acting was decent, and this film really knew how to drag out the tension. There were even a few cute touches thrown in, such as the original Raggedy Ann doll and the nun from The Conjuring, lurking in a photo. I could have done with more of a backstory to the girl and the doll and I’m still waiting to learn more about the demon. After seeing the first Annabelle, disappointment of the second installment was inevitable, however, I was quite impressed, which was most likely due to my low expectations.
It’s pretttttyyyyy clear James Wan didn’t direct this (although he produced it), because the skill of being able to drag the tension out just long enough to deliver the scare at the right time was severely lacking. The director is actually a writer and actor who has appeared in Saw,Insidious, and Cooties. He’s the ghost hunter with the beard in all the Insidious movies. It’s less all-over-the-place than the first, and had its central focus around “the man who can’t breath”. I have asthma, so I can relate. There was one scene I jumped at, but there was so much mushy nonsense I didn’t care about and the ending was awful. At times I felt like I was watching an episode of Charmed, especially when the mom ghost appeared. I didn’t care about the characters, and watching the scare scenes felt like when you are having sex, and just as it starts to get good, someone knocks on the door and it’s over. The worst idea in the movie was the girl whose face was hidden under her hair. The third installment of Insidious is about a young girl who is hit by a car, and has a demon attaches itself to her. There’s also our old friend, the ghost whisperer, who has the bride-witch-demon-thing trying to strangle her everytime she tries to help the girl find her ghost-mom.